Sunday, 6 November 2016

Call sheet

Shoot date: Friday 11th November 2016

Location:

   Claremont Fan Court School
   Portsmouth Road
   Esher
   Surrey
KT10 9LY

 Crew:

Ross Paul      04RossP@claremont.surrey.sch.uk
Camera Equipment:

. Camera
. Batteries
. Dolly
. Tripod
. Camera case

Lighting equipment:

. Light stands
. Spare bulbs

Props:

. Fake syringe
. File full of papers

Wardrobe: Main Character

Outfit – school uniform eg white shirt, black skirt, black shoes

Monday, 10 October 2016

Planning our treatment

07. 10. 2016 PLANNING: OUR TREATMENT


To write a treatment for our film we watched Frank Ash's video on what audiences want and how to structure a treatment. For Frank Ash, creative consultant who has taught storytelling and creativity techniques to teams across the BBC and beyond, it is important to focus on the audience: what will interest the audience? How will the narrative develop? 


  • "So, if you’re aiming for your film to reach a large audience online, making sure it has universal appeal will be key. We’ll be thinking about this in more practical terms later in the week, but let’s bring Frank Ash’s points together with the last step’s concerns:
  • Think about your favourite book or film or any ‘good story’ you recently watched online, could you sum up its narrative into ‘one elegant sentence’ to provide its ‘topline’?
  • What was its big story question, and how important was it to your appreciation of the text?"
 Thanks for the presentation to The University of Birmingham and FutureLearn: 
Video © BBC, Text © University of Birmingham.



Top line: During routine injections a girl discovers secret information about what they are being tested on and is taken away by the head of the drug corporation.

The big question: What happens to the subjects? What did the girl see? What are they going to do the girl?

Subject 45
A line of school pupils in a waiting area chat as they roll up their sleeves ready for their routine injections by the school nurse. One by one they go across and get their treatment and leave. The atmosphere is relaxed. One girl, bored, peers behind a screen and notices a pile of files. Idly, she leafs through them and stops dead in her tracks when she sees something that disturbs her. A hand on her shoulder prevents her looking further. She is led away. Cross cut to the school principal on the phone reassuring someone that the trial of 45 children is not compromised. Cross cut to the girl struggling. Sound bridge: “There is one little issue that we are taking care of and I assure that it’s under our control. The girl in question will be sedated overnight.” Over the shoulder shots reveal information about ‘big pharma’ and identity photographs of pupils. Cross cut to POV shots of what the girl is seeing as she lies bound on a treatment table / bed gazing fuzzily at the ceiling. The light is swinging and her vision is blurred. Her eyes slowly close. TITLE appears:
The girl’s eyes snap open and she gasps.
 


Tuesday, 4 October 2016

Question 2 part 2

Editing

One use of editing in the opening scene is the use of Bullet-time. This an effect where time slows to match the speed of bullets, but the camera moves at normal speed. The matrix introduced the bullet-time effect into cinema and is now one of the most famous editing tricks in the world. In this sequence, bullet time is used when Trinity is attacking the police officers. This is the first sign that the main characters have special abilities as no normal human could pull off such an incredible feat. The bullet-time shows trinity in what looks like a martial arts pose, about to kick the officer, this shows us her incredible skill and agility and gives a reason to support her as she is outnumbered but is still winning the battle against the police.

Another use of editing is at around 1 minute into the scene. We see a huge amount of numbers scrolling down across the screen as each one eventually turns into a single number at the top of each column. The camera slowly zooms in to a gap in the top line of numbers, it is only the last moment of the section that a 0 fills in the gap. At this point something very strange happens to the numbers, they all morph into much larger versions and the camera travels through an impossible gap in the middle of the 0, showing us what looks like an infinite amount of something that could be files. This suggests that the numbers we are seeing are more than just numbers, they actually hold huge amounts of information and they seem to be the way the characters are communicating.

Soundtrack

The line "No Lieutenant, your men are already dead" is extremely ominous and is spoken by the main Agent. The fact that he says it so calmly and at such an even volume adds to the strange and unnatural aura that surrounds the character. It is also a very clear sign that he has some sort of special power, as he already knows that the police officers will be dead before seeing any of them and before trinity even begins attacking them. This also suggests that the Agent has had a long history with Trinity as he knows her powers and how deadly she is.

There is very little music during the scene where the police officers enter the building and all that can be heard is their footsteps. This is because the police are trying to be as quiet and stealthy as possible, in order not to alert the target to their presence. The very quiet music builds up tension and makes the audience feel quite nervous because all they have to focus on is the grimy walls of the building and the strange noises that occasionally swell loudly in the soundtrack. This makes the breaking down of the door seem even more extreme than it actually is, because it is very loud and is the only noise that we have heard in quite some time.

Question 2 part 2

Editing

One use of editing in the opening scene is the use of Bullet-time. This an effect where time slows to match the speed of bullets, but the camera moves at normal speed. The matrix introduced the bullet-time effect into cinema and is now one of the most famous editing tricks in the world. In this sequence, bullet time is used when Trinity is attacking the police officers. This is the first sign that the main characters have special abilities as no normal human could pull off such an incredible feat. The bullet-time shows trinity in what looks like a martial arts pose, about to kick the officer, this shows us her incredible skill and agility and gives a reason to support her as she is outnumbered but is still winning the battle against the police.

Another use of editing is at around 1 minute into the scene. We see a huge amount of numbers scrolling down across the screen as each one eventually turns into a single number at the top of each column. The camera slowly zooms in to a gap in the top line of numbers, it is only the last moment of the section that a 0 fills in the gap. At this point something very strange happens to the numbers, they all morph into much larger versions and the camera travels through an impossible gap in the middle of the 0, showing us what looks like an infinite amount of something that could be files. This suggests that the numbers we are seeing are more than just numbers, they actually hold huge amounts of information and they seem to be the way the characters are communicating.

Soundtrack

The line "No Lieutenant, your men are already dead" is extremely ominous and is spoken by the main Agent. The fact that he says it so calmly and at such an even volume adds to the strange and unnatural aura that surrounds the character. It is also a very clear sign that he has some sort of special power, as he already knows that the police officers will be dead before seeing any of them and before trinity even begins attacking them. This also suggests that the Agent has had a long history with Trinity as he knows her powers and how deadly she is.

There is very little music during the scene where the police officers enter the building and all that can be heard is their footsteps. This is because the police are trying to be as quiet and stealthy as possible, in order not to alert the target to their presence. The very quiet music builds up tension and makes the audience feel quite nervous because all they have to focus on is the grimy walls of the building and the strange noises that occasionally swell loudly in the soundtrack. This makes the breaking down of the door seem even more extreme than it actually is, because it is very loud and is the only noise that we have heard in quite some time.

Question 2 part 2

Editing

One use of editing in the opening scene is the use of Bullet-time. This an effect where time slows to match the speed of bullets, but the camera moves at normal speed. The matrix introduced the bullet-time effect into cinema and is now one of the most famous editing tricks in the world. In this sequence, bullet time is used when Trinity is attacking the police officers. This is the first sign that the main characters have special abilities as no normal human could pull off such an incredible feat. The bullet-time shows trinity in what looks like a martial arts pose, about to kick the officer, this shows us her incredible skill and agility and gives a reason to support her as she is outnumbered but is still winning the battle against the police.

Another use of editing is at around 1 minute into the scene. We see a huge amount of numbers scrolling down across the screen as each one eventually turns into a single number at the top of each column. The camera slowly zooms in to a gap in the top line of numbers, it is only the last moment of the section that a 0 fills in the gap. At this point something very strange happens to the numbers, they all morph into much larger versions and the camera travels through an impossible gap in the middle of the 0, showing us what looks like an infinite amount of something that could be files. This suggests that the numbers we are seeing are more than just numbers, they actually hold huge amounts of information and they seem to be the way the characters are communicating.

Soundtrack

The line "No Lieutenant, your men are already dead" is extremely ominous and is spoken by the main Agent. The fact that he says it so calmly and at such an even volume adds to the strange and unnatural aura that surrounds the character. It is also a very clear sign that he has some sort of special power, as he already knows that the police officers will be dead before seeing any of them and before trinity even begins attacking them. This also suggests that the Agent has had a long history with Trinity as he knows her powers and how deadly she is.

There is very little music during the scene where the police officers enter the building and all that can be heard is their footsteps. This is because the police are trying to be as quiet and stealthy as possible, in order not to alert the target to their presence. The very quiet music builds up tension and makes the audience feel quite nervous because all they have to focus on is the grimy walls of the building and the strange noises that occasionally swell loudly in the soundtrack. This makes the breaking down of the door seem even more extreme than it actually is, because it is very loud and is the only noise that we have heard in quite some time.

Monday, 3 October 2016

Question 2 part 1

Camerawork

At around 3 minutes into the extract there is an extreme close up on half of Trinity's face as the police officer slowly advances from behind her. This creates a feeling of tension as we can see the danger of the police officer approaching the protagonist and we can see the initially worried look on her face. However, the moment she looks up into the camera we can see that she has formulated a plan as in most films and TV shows, when a character looks up, specifically at the camera, it usually means that they have figured something out.

One other interesting camera shot is used at the point where Trinity jumps over the huge gap between two buildings. The camera pans across the gap, creating a sense of vertigo as we can see the huge fall that Trinity will suffer if she does not make the jump. This also creates suspense and jeopardy in the scene because we know that the heroic protagonist will die if she falls. 

Mise-en-scene

The costumes that the agents wear clearly portray them as the villainous antagonists. their clean cut, sharp suits and sunglasses make them stand out against the grimy, almost pitch black city that they are in. We naturally distrust anything that does not look right, which means that we are clearly meant to dislike the agents as they look so unnatural. The sunglasses also mean that we cannot see their faces fully, which means that we cannot read their emotions. This is another way in which the agents look unnatural and out of place.

The dirty and dark city that the events take place in instantly establishes the twisted, dystopian environment of the film. Every window and every building has fallen into disrepair and the walls are covered in filth and look extremely dirty. Even the wires from the lights in the main building are hanging down from the ceiling, suggesting that the building has not been used in some time. All of this creates a slightly unnerving setting and so we want the protagonist to get out there as soon as possible because it looks like such a horrible place.

Friday, 16 September 2016

TV CRIME DRAMA

Scoopit collates all my Crime Drama links on the internet. It forms the basis of my research. Scoopit! is interactive so it makes suggestions about crime drama progeammes. Using Scoopit! I collected data on a number of tv crime drama programmes. 


One of the most useful for researching more traditional crime drama is the BFI Screenonline site. I decided to start by looking at how more traditional crime drama progammes function, such as police drama, using the link for Inspector Morse to read about it then following up by looking at Lewis using YouTube.


Wednesday, 14 September 2016

Poirot opening credits

Poirot is and old-fashioned TV crime drama that is based on the Agatha Christie character. You can tell that the TV show is old fashioned from the font, accompanying theme and art style. One of the first images on the screen is one of a factory belching out huge plumes of smoke while train passes in front of it, doing the same thing, and a plane flies through the shot. This has a very distinctive art deco style to it and so you can immediately tell that this is set in the 20’s or 30’s because that is when this art style really became popular. The simple outlines and odd proportions make this part of the trailer look similar to any of the art-deco posters from the 20’s and 30’s. The font is also art-deco and, although looking dated now, it can immediately be associated with that period in time, which is when this crime drama is set.

Another memorable and distinctive section of the opening credits is when we see a magnifying glass and a pistol on the screen in front what I think is a roll of film with Poirot’s face on it. These two images are a staple of crime dramas and are the two most recognisable crime symbols because if anyone sees a magnifying glass or that style of pistol is immediately going to think of crime and mystery in the 30’s, because that decade is most associated with old detective stories and dramas. The fact that Poirot’s face can be seen in the background is also a very obvious clue that Poirot is a detective because he is seen near a magnifying glass and a pistol.


There is also a strange mix of real footage and cartoon-like CGI used in the opening credits. The triangles flying across the screen is in-keeping with the art-deco theme, which is known for its strange, blocky style. The fake smog and gun smoke are used to create a feeling of suspense in the audience who would associate the low lying smog and trail of gun smoke with mystery as it is an iconic image of this style of mystery crime drama. The audience will also be intrigeud by this as they will want to know why the gun has been fired, which increases the feeling of suspense and tension.

Sunday, 11 September 2016

Opening credits

We went on the website “Art of the Title” so that we could watch the opening credits of a film. I chose “Deadpool”. The title sequence of Deadpool is very modern and in-keeping with the theme of the movie, rather than using a Victorian, notebook style for the titles, like Sherlock does, it uses an incredible freeze-frame of a car crash. The camera slowly pans through impossible spaces, showing the inside of a car as it crashes. It also introduces the audience to the satirical and funny theme of the film, by crediting names like “An overpaid tool” and “God’s perfect idiot” rather than the actors’ actual names. The music that accompanies the title sequence also reinforces the comedic theme of the film, rather than a bombastic, dramatic score that is usually a common element of most superhero movies, “Angel of the morning” plays throughout the opening titles. We also quickly learn that Deadpool is not a normal, serious, non-killing superhero that we all know from other superhero films. We see him shooting one of the henchmen while at the same time giving another a wedgie, this shows the audience that Deadpool does not take his job seriously but instead takes the time to humiliate his enemies.

Thursday, 5 May 2016

Italian Job Heist scene

Most of the team are conventional heroic figures, Jason Statham, Edward Norton and Mark Wahlberg are all the traditional male lead; good looking, well built and extremely skilled at their individual roles in the heist. The Seth Green character is conventional in a different way, he is the technology obsessed ‘computer nerd’ who talks in phrases that are so complicated that they are difficult to understand. One of these characters is seen in almost every action film, for example, Q in the James Bond series and Simon Peggs character in the Mission Impossible series. The other members of the team flout the stereotype of a heroic protagonist because Donald Sutherland is much older, less fit and not as well built as a traditional protagonist. He becomes like a father figure to the group but still proves himself to be extremely skilled when he breaks open the safe. Mos Def’s character is the other member of the team and he breaks the tradition by being extremely intellectual and well-cultured, for example when he is asked what he would do with the money he says first edition books, whereas the more stereotypical characters of the team wish for things that will help them get women.

The two main nationalities represented in this extract are: American and Italian. However the audience is meant to support the Americans because they are shown as being professional, polite and well organised, whereas the Italians are represented as lazy, undisciplined and stupid. This is most obvious in the boat chase; when the Italian bodyguards fall for a simple trick by the American heroes that leaves them stranded and in the moment when the camera moves through the ceiling, from the hard-working, professional heroes to the lazy bodyguards who are not doing their job but watching TV and smoking. The audience are supposed to forget the fact that the Americans are the criminals and the Italians are the ‘good guys’ on the side of the law, and focus more on the characters themselves and their relationships with each other.


Wednesday, 27 April 2016

Experimenting with light

To get an idea of what my advert would look like, I took photos using contrejour and silhouettes, using different filters as well.



Friday, 22 April 2016

Ideas for 2nd advert

Ideas for second advert
. Skateboarding
. Contrejour
. Silhouette of a man holding a skateboard with the sun in the background

Thursday, 17 March 2016

Johnny English action hero

How is Johnny English an action hero?
. He attempts to save England by foiling a villains plan
. He makes the heroic statement that if he does not succeed then no one knows what may happen to England, heroic statements like this are a staple of action films
. He is shown to be facing overwhelming odds, the shot up to the mansion makes it look large and menacing and shows the magnitude of the situation and how unlikely he is to succeed
. He is also shown trying to save a woman by doing a brave deed and going up the dangerous pipe first to check if the coast is clear
. He makes another statement about how he has analysed the environment in great detail, showing that is clever and has done similar things before, because of how quickly he works out the way to get in
. The whole scene is also set in a dark, mysterious and dangerous place. Johnny English is attempting a brave feat by leading the way confidently
. In dresses in the clichéd ‘James Bond’ look, with the smart, crisp and expensive suit with the hidden pistol inside that proves to the audience that he is a man of action, who is ready for anything

. Apart from the part where he bangs his head on the grille, he is everything that an action hero should be; brave, dashing, daring, commanding, decisive, suave, confident, caring, smart and experienced, making heroic statements and saving the country

Thursday, 14 January 2016

Fragrance Ideas

Name: Crew

Slogan: Live the night

The key themes of this fragrance would be the city at night, urban lifestyle, rebellion and manliness. For the first advertisement I would take a picture of the view from a bridge in London at night because the city would be lit up. I would place the model in the centre of the picture, looking away towards the view of the city.